Showing posts with label Creative Writing. Show all posts
Showing posts with label Creative Writing. Show all posts

Wednesday, April 23, 2025

One morning at Vauxhall

I left Vauxhall tube station, headed up the stairs to the street. The lights changed and I moved with the crowd, avoiding the stragglers, dodging and cursing the e-bikes that didn’t slow at the crossing.

It was a normal day. I had left home as usual, got the mainline train then the tube, and was heading to my office opposite the houses of Parliament. I often joke they are near enough to see, but not close enough to throw something at - the Thames lies between me in my accountant’s office and those in power.

The morning was bright with a cool wind, and the commuter morning seemed like any other. But as I crossed the road intending to head along the Embankment and cross by the pub – I didn’t. Once over the road by Bridgefoot, I turned left into the first entrance.

“Morning Bob” I said to the security guard. “Morning Miss Carter” Bob said. But – I didn’t know Bob - I’d  never walked into this building before in my life! I felt like someone else had taken control of my brain and body. I went into the building, to the lift and opened my handbag. Usually packed with things like lipstick, escapee sweets in sticky wrappers, dog treats and multiple pens, today my bag was neat inside – nothing more than a very expensive lipstick (not my usual brand), a designer purse and a swipe key. I used the key to enter the lift and went to the third floor and marched straight to … my desk.

My brain was racing whilst my body operated on some kind of hostage automation. I didn’t know Bob, and I haven’t been Miss Carter for years! I have a husband, a house in Cheshunt, a garden, a dog…

I sat at the desk and opened up the laptop sat there, pressed my forefinger to a pad, keyed in the password and started to work. Miss Carter was taking over… she knew what to do, and she was brisk and efficient. I felt trapped behind the wall of this new person, but I still knew who I was, and that I should be somewhere else, looking at figures, not contact mapping across continents.

I carried on working, as if it was the most normal thing in the world. At lunchtime I headed out of the building – Bob wasn’t on duty, but I didn’t have to wave my ID card – the men with their stab vests and discreet guns seemed to know who Miss Carter was. I fleetingly wished that I did.

I had intended to head back up the Embankment to my office, to tell my boss that I’d had the strangest morning and apologise for missing half the day. But instead I crossed the road to the café and got a latte and a sandwich. I’ve not drunk coffee for years! It tasted familiar, comforting. I walked across the bridge, looking at the Thames, the coffee in my hand and the sandwich in my bag. I couldn’t fathom what was happening – I knew who I was, I was Mrs Walters, I’d married Michael twelve years ago in Spring, in my hometown of Bath. It had rained. My father and mother were there. I suddenly felt grief. My mother – who I’d seen at the weekend and had gone dog walking with – I knew she was dead. But she had died two years ago, so how could this be new grief?

Watching the barges full of the city’s waste create a turgid wash that tugged at the exposed sandy banks of the Thames, I felt heady, like someone with a glorious hangover that has just taken another drink. I took myself to a bench and ate, watching myriad folks go to and fro across the river, and I felt my sense of self evolve, conflict, challenge memory, and then resolve.

I put my sandwich wrapper in a bin and marched smartly back to the office. Bob was back, and I smiled and flicked him a short wave. “Busy day ma’am?” He asked.

“Not too bad Bob,” I replied, “not a late one today thankfully.” Inside I knew what I meant, but I also wondered what the ‘late ones’ were. I had a sense that tickled like a remembered flavour, of dark rooms, bright screens and the bustling of many people in a hushed, urgent silence.

At the end of the day I waved goodbye to colleagues at nearby desks who were definitely staying late. I headed for the tube station. A little part of me wondered about heading to King’s Cross and back to Cheshunt, but Miss Carter - me - knew that my flat in the Angel was waiting, with a bottle of Sancerre in the fridge, and a box set on the TV.

Into the hot train, squeezed between indifferent bodies, I wondered briefly about Michael, if he existed, if my house, dog, garden – even my mother – existed still. Well, they didn’t now, not for me – Miss Sarah Carter. No time for men, no time for gardens or pets. Just time for my next assignment.

At the flat I shucked off my high heeled shoes (I thought I’d come out in brogues this morning) and looked around. The flat was neat, tidy; Marcella had been in to clean. Having poured myself a glass and vaguely looked into the fridge for something other than yesterday’s cold pasta, a brief glimpse into yesterday's life peeked back at me from a tin of cold beans. I took them out, threw them in the bin.

Tomorrow was another day, another challenge, and someone called Mrs Walters drifted into memory as if she were a story recounted, not a life that simply vanished one morning on the way to work.

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 (C) Pictures and story Carolyn Sheppard April 2025

Thursday, October 24, 2024

An unusual childhood

I've written a bit before about the different childhood I had, but not in much detail (see Liked this? below). I could probably write a book, but instead here's a short poem. One thing my mother talks a lot about (she's 92 now) is regret. She can't undo the past, and there were so many good things, different things, that I learned that I would never have done without that childhood. I know how fabric should hang, and whether it is right for the period, for example.  The world of CGI has changed costumery for the cinema, certainly, but theatre still relies on a lot of craft. My mother was certainly a very talented craftsperson.

Growing up

Samco, acetone, buckram, calico

Pearl glue, foam rubber, plaster, fur fabric

Mother much too busy, for the small child

 

Giant moth, Sontaran, Mutant, Cyberman*

Pepper pot, Cuckoo, giant flies, tutus

Comedians and actors, smile at the small child.

 

Plum pudding, ballet masks, feather boas, jock straps

David Wood, Gyles of course, Raymond Briggs, dinosaurs

Directors and dancers, not noticing the small child

 

Peter Rabbit, Whatamess, Gladiator, Fungus

Marty Feldman, Mickey Dolenz, Morecambe and Wise

Placido bumped into, by the small child

 

Coliseum, D’Oyly Carte, Drury Lane and Shaftesbury

Rooms of feathers, rooms of foam, rooms of fabric off the loom

A curious playground, for the small child

 

Hats, masks, monsters, jewellery, designs

Costumes, sequins, Jesus Christ’s crown

All distractions for the young child

 

Working on Christmas day, working on holidays

Pins and needles in the chair arm; pricked fingers

A normal day for the wheezing child

 

Clay, there was a lot of clay! The picture above shows Gyles and my mother - he is posing for the Dilly the Dinosaur costume she made him for a book publisher's promotional tour.

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References:

  • Dr Who monsters *Sally made the Minoptera, the Solonians, and parts of the Sontarans, the Gell Guards, and bits of Cybermen and other costumes/props.
  • Placido Domingo I bumped into him at the Royal Opera House, when he was in Girl of the Golden West
Photo credit: BBC TV. 

Thursday, June 30, 2022

Goosemilk and goatfeathers

 “Hail!” The King looked bored by the formal salutation the slave yelled loudly, as if to give it more gravitas than his voice could naturally command.  But said in that ridiculous Southern accent, the King couldn’t help but smirk behind his hand.

“What news from the valleys, slave?” He knew full well the man’s name was Garrad, but it was part of his policy of remaining aloof to know the names of, but not to acknowledge, the more strategically useful of his inferiors.

“Oh mighty King, ruler of the four lands, giver of hope and...” the King peered at Garrad and leaned forward in his throne rather menacingly.

“Just tell me the news, slave.”

Verging on panic, Garrad cleared his throat and stood up as straight as he could.  His beautiful bronze skin shone like a tiger’s pelt in the streaks of sun that dived through the long gaps in the stone that served for windows. 

“There is trouble in the South, oh great one.”  A harrumph from the King prompted Garrad to continue rapidly.

“There has been a plague of dust that has coated the corn, and the crops wither.”  The King’s brows furrowed, his pale cheeks beginning to redden with anger.

“Oh my King, we have done all we can, we have prayed to you for rain to wash away the dust, but in the South we... we did not expect the ...” the King shifted in his seat and leaned even further forward. Seated a meter above Garrad on his high throne, the effect was mortifying.  Garrad stuttered

“we, we, we don’t know why but the rain won’t come. And, and and..” the King’s patience was growing thin and Garrad feared that it may be the messenger who was blamed for the message.  His brief, uneventful life seemed to be standing by his side in the form of a miniature of himself, laughing and pointing as if to say ‘and it all comes down to this?!’

Garrad fell to his knees. “We have no taxes to bring you – the crops have failed. Our people are starving.”  The King sat back, his face clearing a little as he entered a realm of slightly more considered thought.  Garrad trembled before him, as he should, his eyes cast to the ground.

“And... my King...” the Royal brows furrowed again, wondering what other disaster this petty excuse for a human being wished to lay upon his beloved King!  “the animals are behaving oddly.”  He said the last almost in a whisper so that the words drifted up like the motes of dust caught in the shafts of sunlight.

There was a deathly quiet.  It must have lasted ten or more seconds – but to Garrad it felt like the time it took for a sword to descend upon his poor neck.  But no physical blow was received.  Just a jolt as the King quietly, and most penetratingly, asked one simple question:

“And what do you mean by that?”

Garrad looked up.  With what he had seen over the last month, and on the week long journey it had taken to reach the King, he realised that there was nothing more he could fear.  He stood, brazenly, and looked the King as close to in the eye as he could whilst looking up at such an angle.

“My King, strange things have happened. First the dust, then the heavy clouds that hang over us but do not rain.  The skies are dark and the air is...” Garrad didn’t quite know how to explain it – his vocabulary was fine when it came to cattle, to crops, to people. But this was something more, he felt, within the realm of the Priests and beyond his understanding let alone his ability to explain.  He did his best.

“The air tastes wrong. The animals are unhappy and they are behaving differently.” The King remained quiet. Garrad was not sure whether this was a good sign or the calm before the storm, but he knew he had to explain why he brought no taxes from the South.  Garrad continued “the animals are also changing.” He paused.  This would take some explaining. He wished now that he had brought more than one of the geese with him to show the King just what he meant, but the animal had died shortly after he left the South and its corpse had spoiled so quickly it was not possible even to eat it!

The King leaned down “What do mean?”  Garrad gulped anxiously, but stood his ground.

“The animals are ... “ (he didn’t know the word ‘metamorphosing’, it would have been helpful if he had) ”... doing weird things.  They are changing shape, and growing feathers and fur and just not behaving normally!  Our village elder was attacked by a chicken that grew fangs” Garrad’s voice faltered as he realised how ridiculous he sounded.

The King sat back. A smile played across his face. Ah... so this was how the South were going to get out of their tithe!  A tall story; did they really think he’d fall for such nonsense?

Garrad continued to ramble, talking of goosemilk and goatfeathers, hens teeth and mares nests. The King made a discreet signal to his guards (who were permanently stationed behind the plinth upon which his majestic throne rested).   

“Take him to the torture chamber.  And when he is suitably reminded of to whom he is speaking and whom he serves, find out what he and his Southern scum have done with our tithe.”

This was duly done, and poor Garrad died far more quickly than his torturers anticipated, giving them angst in anticipation of the King’s anger.

“My King,” the head torturer said. “We have found all we need to know from the slave Garrad.”

“Who?” the King asked nonchalantly, as if it was of no great concern, though in fact he was more than a little worried that the camel trains of grain had not arrived as usual.
“The slave from the Southlands.”  The King raised an acknowledging eyebrow. “We have learned that he has traded with the foreigners from the Great Continent. They have taken your tithe!”

The King frowned (a popular look, for him).  “Does this mean war, then?”  He was not actually asking the torturer, more asking himself rhetorically.  After a few moments consideration, he said

“Go to the Guard. We will venture South and take what is rightfully ours!”  The Head Torturer disappeared quickly, eager to fulfil the King’s wishes and glad that he himself had not been subject to a more thorough inquisition.

The King did not go with the army to the South. But in time he did hear of the clouds that hung over the southern lands, and strange stories of animals - and the people themselves - behaving most unnaturally.  Few of the regiment he sent returned, and those that did brought such stories as to beggar belief.  But he still wanted his corn, for the lords and dukes of his City needed feeding.  Perhaps, he thought, they could drink goosemilk?

(C) Carolyn Tyrrell-Sheppard - originally written in 2016

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Wednesday, September 29, 2021

Resilience

I started writing a resilience article as a thought piece, but it felt very self-indulgent (which it was). In it I used an analogy, so instead of presenting my unsubstantiated opinion, here's a fictional story:

The waterfall


The children and their parents stood at the bottom of the waterfall. It was beautiful, the water rushing down, the rocks shining and gleaming as the cascade tumbled past and clouds of water droplets shone in the sunshine. Each side there were large boulders, suitable for climbing. “Let’s go to the top!” said mother. The children looked excited. 

“No.” said father. “It’s wet and slippery, and could be dangerous.” Of course, it would involve some risk – but with care the waterfall could be ascended quite safely.
 
 “Come on,” said mother, feeling the risk was acceptable.
 “No.” said father. Unwilling to take a chance, however small, on any of them slipping. 

“I’ll go,” said mother, “and tell you what it’s like”. She climbed, and it was safe – the rocks at the side were not wet and slick and were easy to climb. She reached the top. She had assessed the risk and anticipated the reward – and reward there was! The view was amazing – watching the cascading water below and looking across the fabulous landscape at the top. 

“Come on up,” she shouted down. “No.” said father and the children listened to him, because they always obeyed their father, even though they could see mother at the top, and how happy and excited she was, and they wanted to see and feel that too. The children missed out on the view, and the experience. They may have slipped, they may have bruised or even broken, but they never found out how beautiful it was to feel the thrill of climbing a waterfall and reaching the top. 

Do you think that we protect our children too much, that we don’t teach them to manage risk but to avoid it? Do you think this impacts their capacity for resilience and, long term, mental health?After posting this on LinkedIn – I was usefully directed to this by Josie Jacobs: ‘The Gift of Failure’ by Jessica Lahey - which speaks directly to this issue. She describes us as the generation that “invented over-parenting” - and despite our best intentions, we are robbing our children of their failures and therefore their learnings…and their natural resilience! When we take away our children’s opportunities to fail and learn (FAIL = First Attempt In Learning no less!), they never learn to trust their instincts and develop their innate resilience. We are in fact a very resilient bunch but - true of adults too - we have all lost touch with our own intuition. It’s not just parents but schools too - a friend’s school has just banned football because people were getting hurt… what about if we taught our kids HOW to play nicely or HOW to climb 🧗🏽️ safely… both the boulders you speak of, and this life?! 😊

Wednesday, September 15, 2021

Challenged!

My writing buddy Cathy and I were chatting on line and I said how nice it will be not to write about cancer for a chance. I asked her for a challenge, and she said to write a story for my grandson! So here goes... (this is written to be read aloud)


Deep below the slippy slimy sludgy grunge, there lived a Blobby Grubber. Now you will have never seen a Blobby Grubber I'm sure, because you will never have gone deep below the slippy slimy sludgy grunge! The blobby grubber looks blue and green, like the slippy slimy sludgy grunge he lives below, so he can hide very quickly when the Gloop Monsters come. 

If you tried to grab a Blobby Grubber you'd never succeed - they are squirmy and soft and can slide out of the grasp of almost anything! The other things that live beneath the slippy slimy sludgy grunge are the small and speedy Tiddflippers, and they flit about like little lightning bolts, their shiny neon stripes lighting up the dark world beneath the slippy slimy sludgy grunge turning it into a funfair of colour. There are also the Glup Truggers, which are fat and slow, and live on the bottom, clearing up the grungy bits that fall to the floor of the slippy, slimy sludgy grunge. The Glup Truggers were often chased by Gloop Monsters, so they would bury themselves in the grunge at thte bottom, and hide until the Gloopers had gone.

One particular Blobby Grubber, called Groop, lived a long time ago beneath the slippy slimy sludgy grunge and - he thought - what is above? He was a curious Blobby Grubber and wanted to see more of the world than  his dark, slippy slimy world. But he didn't know how to get above the grunge, so, he needed help.

He asked the Tiddflippers if they ever went above the grunge, and they said no, there was too much fun to be had rushing around below.  

OK - I have by no means finished this story. My question is - do you want me to? Every story should have a beginning, middle and end - but all I have here is the beginning. And there's lots of 'tell' instead of 'show'. But which is best for children's fiction? Any suggestions appreciated - please comment below!

If I had to illustrate this story, I just might use a blobfish....

Photo Credit: Wonderopolis


Thursday, June 17, 2021

The Step Well

Oh dear, no posts since last writers' circle! Well the only development for me is that I had my CT scan today, but I won't hear results from that for a bit. So here's tonight's writing, inspired by a picture of a spectacular Indian Step Well.

Some secrets are never revealed, some are liberated by loose tongues, and some are exposed by the heartless sun.

-o-

By Doron - Own work, CC BY-SA 3.0,
commons.wikimedia.org/w/index.php?curid=2761923
The sun was blistering, the sky so clear and blue that it seemed to be a perfect reflection of the water in the well.  The well was low– very low. The women had to walk down eleven levels to get to the water. They complained as they descended but were silent in the breath-snatching air as they ascended with their hard-earned loads.

Ramesh was sitting at the very top. He ran his hands through his dry, brittle hair. Sweat poured off him, and his foot involuntarily tapped a tattoo upon the dust. He looked down into the water, unaware of those around him.

The older women smirked at him, whilst some of the younger ones looked shyly towards him or giggled as they passed in groups. He did not see any of them. He just sat by the well, watching the surface of the water, as the sun punished him.

He wanted to see if the water would go down another level; Ramesh had not seen it this low since he was a small boy. The sun continued its persistent assault on his skin, and after two hours, without seeing any change in the level, Ramesh sighed hugely and eventually departed.

He visited the well every day, and as he saw more and more water taken, but the level staying stable (even without the rains), he grew slowly more confident. By the second week, he started to look up when the young women giggled, and would bow most graciously to the older ones, gaining just a little affection from them. After a month, he had learned the routine of the water gatherers and had noticed one young girl in a beautiful orange sari that was edged with lime; he picked her out each time she came, and gave her his widest, whitest smile.

His hair was now shiny and bright, and he would wear his best dhoti. He waited on the side of the well where he knew she would come. And one day, he waited at the bottom of the well, and carried her pitcher up to the top for her. The older women watched, and chattered their concern, if not quite disapproval. Daily, Ramesh’s confidence grew. He now visited the well daily not to watch the water level, but to see Binita.  

The summer went and the rains came, and Ramesh stopped his daily visits to the well. Now he could work on his small farm during the day and went only once a week to the well to meet Binita and carry her water. She wasquiet, but approachable, and Ramesh soon discovered that her mother had plans for her that did not includeher spending more time with the ‘waterboy’. His mind was now focused on the problem of Binita’s mother.

Ramesh made enquiries, developed acquaintances and learned as much as he could about Binita and her family. They were reasonably wealthy so might expect a large dowry, but then again they might have already got a husband in mind. Ramesh let options and opportunities occupy his mind as the cool weather dulled his anxieties and gave him fresh hope for the future.

-o-

In a town not twenty miles from where Ramesh had sat, a new well was being built. There were plans to plant more mango trees and they needed water. There was water under the ground that would feed their well as it did the one in Ramesh’s town. Sacred rituals were performed, architects’ plans followed and work commenced in the evening when the searing heat of the day dulled. If Ramesh had known, he may well have left town. Because in one year or maybe two, when the new well was complete, if they had a summer like this one, then the level in his well would most certainly go down. And then Ramesh would not be able to hide from the truth at the bottom.

Note:    I may be inaccurate in attributing names/clothing to the right regions where there are step wells, but I've done my best. Comments/corrections welcome.

And a quick PS - I'll have a very different subject for the next blog as Monday (21 June) is a very big day!

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Friday, May 28, 2021

Writing circle fun time

At our last writers' circle meeting we were tasked with writing what happens to a £10 note when it passes through the hands of at least three people. On the night we had stories from the note's point of view, theft and some adventures. We had 40 minutes writing time. Here's my contribution:

Henry’s Present

It was a miserable, wet, windy autumn evening. The show started at 7 and Henry could hardly contain his excitement. Holding tight to his mother’s hand, he stood in the queue patiently, but even so hopped from foot to foot in anticipation.

“Be still Henry, we will get in, I promise you.” The long queue for the new blockbuster ‘The Yellow Rolls Royce’ was full of chatting people, and it moved so slowly. As they neared the entrance to the Gaumont, the huge poster outside showing the famous faces of the cast loomed over Henry. He thought they looked like giants! Henry grew from excited to anxious. “Have you still got it, mamma?” he queried, looking up at her in her fawn overcoat and matching hat. “Of course dear, your birthday present from Grandma is safe in my handbag.” Which was, of course, also matching.


Henry’s legs were cold in his shorts, but mother had insisted he wear his clean school uniform for such an important night out. After what seemed an age they reached the kiosk and mother handed the cashier the crisp ten pound note that marked Henry’s 10th birthday. “You will look after the change, won’t you mamma?” he asked, and she smiled, taking the tickets and the change from the serious looking cashier (a ten pound note needed at LOT of change!). They went in, and Henry’s night went from anticipation back to excitement as he looked forward to his first cinema trip that also promised ice cream at the interval. It was the culmination of a wonderful day – his grandmother had given him the ten pound note – “a pound for every year of your life so far, dear Henry” she’d said, and he had grasped it with astonishment. Mother had quickly taken it into her care, and after much discussion the cinema trip was planned. Now the ten pound note was with the cashier, and there was plenty of change from the six shillings it cost them both to get in. Plenty for ice cream, and plenty for Henry’s greatest ambition, the new bicycle!

They went into the cinema and took their seats, and as the credits rolled, the cashier was banking the door takings into a large canvas bag. There were a few pound notes, and many ten shilling notes, but only the one ten pound note. She let her fingers linger on it, admiring the picture of the Queen, and feeling the strange texture as it slipped from her fingers into the cash bag. A small sigh escaped her. She wouldn’t be seeing many of those in a hurry.

Inside the cinema Rex Harrison was buying a yellow rolls Royce as an anniversary present. Henry briefly wondered if he could have afforded one with his ten pound note, but was soon lost in the magic of cinema. Henry loved the film – the car, the music, the exotic locations. Funny really, as that morning he had woken in his bed at home in Finchley, waiting for his grandmother, like any normal boy.

Margaret (Henry’s grandmother) had planned the generous gift for some time. It had taken her months to save up and when she at last had the full ten pound notes, she went specially to the bank to change it for a single note. That had been the previous week, and in the days leading up to Henry’s birthday, she had put it away safely in her dear departed husband’s family bible. “No one would look for money in there,” she thought to herself, and tucked the money into Genesis at her favourite part: “Let the water teem with living creatures, and let birds fly above the earth across the vault of the sky.” She always imagined god waving his hand and birds appearing as if he was scattering petals. Every evening she had gone to the Bible to ‘read’, but in truth it was to touch the note and imagine the excitement of her small grandson as she gave it to him.

The bank manager had been so kind, concerned that she was giving a young man such a huge sum – and such responsibility! But she knew that her daughter would look after it, as she had Henry. With kindness, consideration and care – and above all, thoughtfulness.

The film came to an end and a very tired Henry yawned and clung on to his mother’s hand as the throng of people left the cinema. It had been wonderful! “Have you still got the change, mother?” He asked again. She smiled and pulled him through the crowd, holding tight on to her handbag that held the nine pounds and twelve shillings that remained of Henry’s birthday present. (If you are busy doing mental arithmetic now, don’t forget they had ice cream!)

Henry and his mother went home, and the shutters came down on the cinema as every last person, even the projectionist, had gone home. The manager had come and taken the cash bag ready to pop into the night safe. And the cashier, she headed home with her high heels and bright lips, and a guilty conscience. The ten pound note that had slipped into the cash bag had also slipped out again, and into the pocket of her coat. As she walked down the dark, wet street, her hand was thrust deep into her coat, and she could feel the note crisply scrunched as she tried to push her guilt out of sight.

Turning off the high street and into her road, she imagined the sound of footsteps behind her. Was she being followed? She daren’t stop and look! The street lights shed a dim yellow glow, but even so there were plenty of shadows for someone to hide in. She walked more quickly, hurrying towards her little house and her husband. How would she explain it to him? She wouldn’t. Her hand was sweaty on the note, and she was as tense as a cello string. She reached her door and turned to look – no one there. She huffed at her own imagination and opened the door.

Inside her husband was asleep in his chair, with the radio still playing the light programme. “Hello dear” she said, and he started as he woke at the sound of her voice.

“Oh, hello. Good film?”

“You know I don’t watch them,” she chided. “I’ll make some cocoa. Time for bed.” She took off her coat and palmed the note, thinking about where she should hide it (from her husband as much as any imagined robber). She saw the Bible in the bookshelf and, while her husband busied himself with emptying his pipe, slipped it in. She didn’t know it, but she’d popped it right at Timothy, 6:10 “For the love of money is a root of all kinds of evils”. There was an irony, had she ever read the Bible. That ten pound note stayed there for almost two years – hiding itself, hiding her guilt. She was never found out at the cinema, but was wracked with anxiety every time the same denomination appeared at the cashier’s kiosk. What she did with it, well that is another story, and another family’s excitement and drama. Ten pounds may not seem much today, but in 1964, you could do a lot with ten pounds – far more than just going to the cinema and buying ice cream.

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Friday, January 08, 2021

There's no such thing as an original story

Chizel. Why not!
A good few years ago I started writing a novel about a 20th century woman who ‘time slipped’ into Medieval times. It fell under ‘Hero’s Journey’ in story theme terms, but the fun of the story was how a  modern woman faced and overcame challenges in a bygone age. I struggled with the language differences, I struggled with some links in the story, but I liked the main character. I wrote about a third of the story, with the plot fully outlined, and then I read ‘Outlander’ by Diana Gabaldon.  Basically, exactly the same premise as my story, but written sh*t loads better and with a much more interesting scenario (15th Century Scottish Highlands).  

For reasons other than the fact that the concept had been done 100 times better by someone else, I abandoned my poor lady in Medieval times (I wonder how she’s getting on?) and haven’t tried to write a novel since. I have written plenty of short stories (a few can be found on here), but the idea of writing a novel still taunts my creative muse.

A friend suggested I could write further on the infamous Matthew Hopkins (I’d already written a song about him), and I briefly flirted with the idea of time travelling the Witchfinder General to today – but he’d be right at home during a pandemic!

I’m therefore going to start thinking about what I want to write – it doesn’t matter if it’s been done before, or whether it is publishable or not, I just want to revisit the pleasure of writing. I won’t say ‘watch this space’ because if the last novel attempt is anything to go by, you’ll get very tired waiting.


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Friday, December 11, 2020

The Coldest Christmas

It was the winter of 1946 and it was very, very cold.  In our community in the Mendips, we suffered terribly. The hills were covered in snow and the livestock were already in poor condition. The land girls did a good job, but the farm I lived on suffered a loss of a good third of our sheep due to them being in poor condition when the bad weather hit.  We were more or less trapped, and getting to the village for supplies was difficult; the old horse could only do so much.  

On a farm each day is the same – you look after the animals first. So, on Christmas eve we got up early and went out to find the sheep so we could feed them whatever silage we could dig out from the barn. But we couldn’t find them. Our day was spent with the dog and the horse, looking for them.

The days were winter short, and Christmas eve was cold, but bright, the hills draped in snow as if they were ready for a wedding. We went out again after lunch to look for the sheep, me, my brother and my father. Just the three of us. My brother Jeff was always a quiet lad, and since coming back from the war was even more withdrawn. He was happiest with the sheep, and his dog, so not finding them today caused him some distress, though the only way we knew it was because he was frowning more and hardly spoke at all.

Jeff took the lead with Scrap, the dog. She bounded up and down in the deep snow, her black markings standing out on the white landscape. The sun was low over the hills and shone bright, like a searchlight. If we hadn’t been so concerned for the sheep, it would have been a beautiful scene. It was hard for me to move through the snow, being the shortest, but I was determined to keep up with the adults. After all, at 13 I was just about an adult anyway.

Scrap barked, and disappeared - the snow must have been very deep. We headed towards her muffled calls and, wading through the snow, we found her digging. Jeff looked hopeful, anticipating finding the sheep perhaps, but Scrap had dug a tunnel in the snow not to one of our beasts, but to an old wooden box. We finished Scrap’s work and dug it up; it was old, black oak, and bound with brass fixings and a fastener with a padlock. Jeff looked at it in disgust, so I took hold of it, out of curiosity. Father just looked thoughtful.

We looked for the sheep until the sun dipped behind the lowest of the hills, and headed home in the weird light that you get when the snow is lit by reflection upon reflection. We trudged home, still looking for signs of sheep on the way, with Scrap bounding ahead happily, and me still carrying the small wooden box.

When we got home, I asked father if I could have the box, and he just shrugged. Jeff was totally uninterested, just tried fiddling with the radio to try and get some signal and a sign of life outside or small, frozen and desolate world. To me, the box was like a Christmas present, so I laid it by the hearth so I could open it in the morning.

Christmas eve we ate some bread and dripping, and went to bed early – Jeff hadn’t got a squeak out of the radio, and we were all downhearted at not finding the sheep. Father let out a huge sigh, and Jeff frowned some more. Scrap curled up by the fire, her tail wagging and her one white and one brown eye looking up at me as if to say ‘goodnight’.

Christmas morning broke and we rose, wished each other the usual seasonal greeting, and then went about our work. My job was to feed the chickens and I wanted to do it quickly – the snow had fallen again overnight but the blanket of white was almost insulating, and with the yellow winter sun, the world was glowing as the sun rose. The chickens were pleased to see me but not impressed with the few food scraps we gave them; they would have to scavenge and dig in the snow.

Jeff had taken Scrap to look for the sheep again, but promised to be back soon, he wouldn’t go far on his own. Father was busy with the horse and the cow in our yard, and having finished my chores I went back into the kitchen. It didn’t feel like Christmas – there was no tree, no presents, but there was plenty of snow. I thought about my mother briefly – wondering what she might have done for us on Christmas day if she hadn’t passed away with smallpox when I was just a babe.

I started preparing for the one thing that would make us feel like Christmas – lunch! Father had killed and prepared a chicken for us and I peeled some of the wrinkly potatoes we still had. And then, I heard a noise – a sort of muffled jingle. I stopped my work and looked around the cottage, trying to fathom the source of the noise. And I came to my box – the one from the field. The noise was coming from it, and getting louder as I got nearer.

Father was in the yard, Jeff was in the fields with Scrap, so being brave I picked up the box and shook it. The noise continued! Something in my head said that I had to open it and let out the sound so I put the box on the kitchen table to see if I could find remove the padlock. I put the box on the table and turned to our ‘everything’ draw. I found a bunch of old black keys, some from the cottage, others just collected over the years. And one, just one key on the bunch, looked more silver than black. It looked just about the right size too.

I fitted the key into the padlock and it turned. It creaked and was stiff, but with my small fingers firmly pulling the bar, the lock slipped open and I took it off and opened the box. Inside was a small bell – silver, bright and shiny as if it was new. As I lifted the bell out to look at it, the door opened and Jeff and an excited Scrap came in. “Found ‘em” he said. And, for the first time in weeks, he smiled. Father came in too; “There’s a cart coming.”  

I showed them both the bell, then popped it back in its box and returned to getting the chicken into the oven and the potatoes on the burner. We would need a hot meal today, and if we had visitors, I’d best put the kettle on.

The cart and its occupants finally pulled into our yard, with their horse steaming like the kettle. Jeff went out and rubbed the horse down and Father invited the Carters in. He brought them into the kitchen as I poured out a piping brew. “’Tis Martha and James,” said Father, “and they brung us Christmas.” I was a little confused until Martha, smiling and slightly steaming herself, came into the kitchen and put a large box on the table. “Presents,” She said, “and some vittles. Thought it would be good for us all to eat together today, seeing as how we are on our own too, just across the valley.” It must have been quite a journey from their small farmhouse. Jeff smiled even more; I think he liked Martha, and she was just about his age too. Father and James sat at by the fire to discuss the challenges of the terrible winter, and Martha helped me get more food on the go and set the table ready for a Christmas feast.

After a wonderful meal and more talk at the table than I’d heard in months, Martha brought the box with the presents out. There was a white handkerchief for father, a small bear with a red ribbon bow around his neck for me, and a penknife for Jeff. “We bain’t got no presents for you,” said father regretfully, but I had an idea and took the ribbon from the neck of my bear, and threaded the silver bell upon it. “Yes we have father, we have this Christmas bell for them.”   Martha was delighted and her smile made Jeff blush with pleasure. Since finding the bell we had found our sheep, and found Christmas. I hoped the bell would be as lucky for Martha and her father as I believed it had been for us.

Story (C) Carolyn Sheppard

Photo (C) Carolyn Sheppard (it's Royston, not the Mendips, but there you go)

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Friday, December 04, 2020

Christmas movie season

Photo by New Line, Warner Bros., Miramax, RKO,
20th Century Fox/courtesy Everett Collection
Housebound doesn't mean I have to watch Christmas movies, but I confess it's become a bit of a habit these last couple of weeks. There are channels dedicated to Christmas films, and a regular two or three on some channels daily, so there's plenty of choice.

I now consider myself well informed on Christmas movies and have distilled the plot lines as follows:

1.    Small town beats the city every time

2.    The girl will fall in love with the 'home town' boy 

3.    If he has children, the lead man will be widowed

4.    If she has children, the lead women will usually be widowed

5.    The children are all perfectly behaved and encourage the relationship with a new potential 'step'

6.    Christmas is magic. Fairies and elves do exist, as does Santa

7.    Americans in movies can put up hundreds of extremely complex decorations in record time

8.    The lead man will have a talent such as wood working or some other art

9.    If the lead (male or female) has an ex who shows up, they will want to get back together and the     new lead love interest will catch them kissing

10.    It will end happily ever after at the last minute, usually on Christmas day

11.    Song written for the films (where a character plays them on guitar/piano) are usually terrible

12.    Setting the film in a real snow scenario is a lot better than the fake snow - especially as the poor    cast are usually sweating in the fake (warm) settings

I think that's enough - so with that information above, I think all of us could write a Christmas movie script easily!  I haven't found one yet with anything but a heterosexual love story. 

The benefits of watching Christmas movies that are so formulaic that you can guess the plot in 5 minutes? Simple - escapism, feel good, and some pretty scenery.

CHALLENGE!

I am going to give it a go (watch this space) so if you can, write a 1,500 word Christmas story including at least three of the the above points. 

Ready? OK - go! And if you want to share them, send them to me and I will publish here. 

Fun links

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Friday, September 18, 2020

Working with goats was a new one for me

That title isn't mine - it's a headline, and it was one of a selection of headlines given to the writers' circle as our September activity prompt. We were given 40 minutes to write - and I started with not a clue what I was going to write, only the headline. And I started and this is what happened. I think you can tell that I was running out of time as the focus of the story is on character build, and there are several gaping holes in story development (such as the wife, and farm life in more detail), but I enjoyed writing it. I may get around to editing and doing a re-write, but for now here we go:  


So on Facebook there’s this image of a kookaburra, and the caption is ‘bird or goat?’. Well I can only see the bird, so either I’m missing something, or someone is having a laugh and I don’t get it. You see, I thought if it was a goat picture, I might have noticed. After all – well, hang on. I’m getting ahead of myself. You see, I think I  need to explain about me and goats.

So just imagine some wavy lines around the frame, the picture fogging and some mirror chimes to simulate a flashback, eh?

I’m 16. I’m tall for my age (six foot three), actually I’m tall for any age. But put it like this, I don’t get picked on at school ‘cos I could simply just tread on them. Oh yeah, I’m heavy too. But not fat heavy, even as a teen, it was muscle heavy. Not that I worked out at a gym or anything, but I lived on a farm. And hefting around great bales of straw, shovelling manure and other delightful manual jobs did tend to hone the frame, even of a bendy youngster.

So picture this – I’m at school, in my black and red uniform (I know, awful huh?), and I’m sitting in the maths class looking out the window. The teacher is muttering something that I don’t understand, and my best pal Jimmy is writing secret messages to the girl he is convinced he is in lust with. Its spring, and there are green leaves on the willows, and the birds are getting noisy with excitement. I’d rather be out there than listening to…

Whap! Maths Master Maitland wasn’t against a bit of physical intervention to ensure attention, and the board rubber (a sort of wood and felt brick) slammed into my desk sending a cloud of white dust into my face. “SMITH! What did I just say?” Well I hadn’t a bloody clue, so I muttered a “Sorry sir” and he repeated his diatribe that had something to do with logs. I knew about logs – got a huge wood yard at home – but then he spoiled it all by mentioning sines and their cousins, so I switched off again (but kept looking at him so he at least thought I was listening).

At the end of the class Jimmy went off with that girl, don’t even know her name (actually I don’t think I know the names of any of the girls in our class), so at break time I left him to it. I reckon they were off looking for somewhere private to snog.

If this were a TV show we’d flip back to ‘now’, with the music and wobbly picture and all, and you’d see Jimmy now, a grey haired man even though he’s only in his 40s, with the blonde (bottle blonde these days) and four kids in tow. I guess it could be a happy picture, but I don’t know, you’d have to ask him. But this is not TV, so back to school days.

I went to the bike sheds  hoping that Jimmy wasn’t there. Nope – but the usual gang and the gritty grass where a couple of the other lads, and one girl, sat smoking. They jumped when I first appeared – I guess being tall they thought I might be a teacher. Marky, a snide little spot-faced rat of a boy in the year below me, sneered. But he did offer me a fag. I took it with disdain, no thanks. I think perhaps he was a little scared of me, that’s why he made out he was so hard. I sat down a bit apart from them, and the girl turned to look at me. “Are you Smith?” I nodded. “I’ve heard of you.” Well I should think so – we’d been in the same school for four years. Maybe I was supposed to answer something that showed I knew who she was, but I didn’t, so I stayed silent. The strong, silent type image was working for me. Got me free fags, after all.

Next class was Social Studies, so after grinding out the fag end on the edge of the grass, and nodding briefly to the kids, I headed for the school gates. No one would notice, and it was the last class of the day.

Picture this, tall iron railings around a low brick and concrete school with grey tarmac scarred with faded paint that pretended to mark out games courts. A large iron gate, with the school name in ironwork, and out onto a quiet street in the outskirts of a town that was boasting by calling itself such. It was an overgrown village really, but we had a cop shop, so I guess that made it important enough. It needed it too – there were some right scallys in our area.

So maybe you have a picture of me, and maybe it’s right, maybe it isn’t. Maybe there seem to be some things that don’t quite feel right, like how I talk, how I think. Well, maybe I pissed away my time at school, but I did get to Uni and that sharpened up some of those farm lad edges into something that was so mixed up my dad used to call me Poshy. But you know, those school days were important, because having to go to school every day (even if I didn’t stay there all day) is what made me who I am. Yeah, the farm played a big part of course, but at school I learned things like, well, being tall was important. Being strong was important. Being distant actually got you more attention from the girls than chasing them like Jimmy and rat-boy did.

So I’ve left the school by the gates, and I’m heading down the lane towards the bus stop. The bus goes past the farm gate, so I’m lucky – it’s easy to get to and from school. But I don’t want to appear at home too early, so I get the bus and get off half-way home. It’s just outside the town, and before the countryside really takes over, so there’s houses every so often, and lots more ground. I get off the bus and look around, right next to the stop in a huge garden with a  brown picket fence is a goat. It’s a huge goat! Long floppy ears, and it has weird eyes. They look like an octopuses, I think. I only know that as we did octopuses (or is it octopi?) in science last week. They’re a bit scary. But I’m a big lad, so I look it in the eye and say “Hello goat.” And, of course, it says hello back. Like no shit, the goat said “Hello”. The bus had gone so I couldn’t retreat that way. And though it made me jump, I didn’t really want to run away. I’d never had a conversation with a goat before, and I didn’t have much else to do until I was expected home.

The goat continued looking at me, so I figured it was expecting me to say something next.


“What you doing?” I swear the goat made a huffing noise before replying with

“Eating bloody grass, what do you think a goat would be doing in a field?”

Touch goat it seemed! “You could have been thinking,” I said “about something really important, maybe.” This mollified the animal and, if a goat could smile I think it would have, it tossed its head and flapped its big ears. “I was, actually, I was thinking how come you are not at school, but then again I was also thinking you are way too big for a child. So – what are you?”

“I’m a kid,” I replied, and realised that may not have been the best choice of words when the goat replied

“Nope. You’re human, I know plenty of them, and you’re a big one.”  At this point I was watching the goat’s mouth really closely because, like, they don’t have vocal boxes, or lips, to make words like us humans. And, of course, as that’s what was on my mind, that’s what I said. “How come you can talk?”

“I can’t talk,” said the goat, “but I can make you hear what I am saying.” Well that had me flummoxed, but as I didn’t want to get too technical, I just shrugged and said OK. I leaned my back against the fence to wait for the next bus, and the goat put his head over the fence and says “You could go far, you know. Especially with goats. Thought about working with goats?” Well, I hadn’t. I lived on an arable farm, and I told him so. This actually seemed to please the goat, and he asked me all about our crops, the farm and the family. We were just getting really chatty when the bus arrived. I headed for the bus and the goat said “Think about it” but I didn’t reply, didn’t want to look bonkers saying ‘bye to a goat.

Wavy lines time again – and here we are, back with me as a fully grown man (stayed at six foot three, but put on a bit more weight I admit).

I’m on the family farm; dad still calls me Poshy, and drives the tractor even though he can barely see. I do all the heavy work, but we expanded when dad brought me in to the business and put my name with his and mum’s on the tenancy. Now, as well as farming arable, we have a specialist goat’s milk and cheese production unit. They say my goat’s cheese is the best in the country and we’ve won all sorts of foody awards. I usually send mum and dad to all the county fairs in the summer – keeps them out of my hair and gets us new customers for the cheese.

My wife, who is not even from this town, loves the farm. She’s suspicious of the goats though. People ask me what the secret is to our amazing cheese. Well, between you and me its because I ask the goat’s nicely. I treat them well, I chat with them, I ask them what they want and they tell me. They understand that I need the milk, and in return they get a nice life. It works. I don’t think I’d have thought of goats at all if it hadn’t been for that afternoon skive.

The photo is the 'bird or goat' I started with - and I could only see the bird until I did a web search and found a version with the 'goat' outlined. I have no idea where it comes from to credit, so apologies to the original owner of the photo. And the goat - I just liked this Nubian goat from Pinterest, so once again I can't credit the photographer. Cute though, eh!

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Troublesome angels

Monday, May 11, 2020

Why is writing so hard?

I am on furlough, on lockdown - I have the internet, a computer, and all the time I need. So why is writing so hard?

I've been trying to figure out why my creative juices are stuck and that is equally confusing. It's not even writer's block, because I haven't sat at the computer to write apart from this blog.

I could reel off a long list of excuses, but what is the reason? I'm trying to work that one out still. I haven't written a song, or a story, for ages. I've written plenty about cancer though, darn it - but that's not creative.

I am being creative though - in wood, in gardening, story telling for the kids (online) and in helping Sheena build things, but my literary creativity is stymied.

So, to prompt myself, here's a poem I am going to write now, with no preparation:

Beech
The tall tree is covered in lime coloured keys
They dance in the wind, long branches bowing and swaying
Oak stands steadfast aside, whilst all are sprinkled with blossom.
Hawthorn, cherry, their white petals snatched by the easterly.
In the forest an oak cracks and tumbles.
Ivy clings as the tree descends, but it cannot stop the fall.
The ivy killed the tree. The tree died. The ivy has lost it's home.

Full bodied ash are catching up with the oak, beech and birch.
They are fighting their own battle, whilst the pines grow
And the cones pop in the warmth and tumble to the ground.
So much life and death in the trees. So much new growth
So many changes, as each season sends new sap rising
Or old sap drying. And beetles making home in the fallen.

Not sure where I was going with that - just looked out the window. With a bit of work, it could be something decent.

Right, back to the garden...


Sunday, January 26, 2020

I've said it now


Sunday 26 January 2020

If I can write every day – even just a few paragraphs, then I’ll be making progress. I haven’t written properly for a long time, and there are lots of reasons of course, but all of them are just excuses. I love to write, and by not writing I have let a little piece of me deteriorate. Same with song-writing – not just the lyrics, but the music too.

I got stuck in a rut for a while, I have to admit. But my life has changed so much in the last two years – I’m out of that rut, and now I’m looking around at the new horizons. I have not changed my life so much that everything is different, but I can most certainly spend time now doing more writing, and – if I can motivate myself to do so – playing more music.

Last year was untypical to say the least with my partner’s cancer treatment pretty much occupying the whole year in various ways. I did write a bit about our experiences, but it was a different kind of writing – writing to share something intimate and challenging, and to share to help others as well as ourselves.

A blog without a photo is boring.
This is my favourite pine tree.
Cancer treatment has finished, and hopefully Sheena will continue to get stronger and better now that the cancer has gone. But the side effects of the treatments (which only stopped this month) need some recovery time too.

Back to the start of this – that I want to write every day. Writing is like any muscle, you need to use it to keep it strong and flexible. So, I’m limbering up – getting ready to launch back into exercising my writing brain beyond the daily use demanded by work, or the occasional blog.

My plan is to write a novel. Oh yes, everyone has a novel in them we know, but do I have a story, and a loose plot, I just need to work on characterisations, structure and then simply sit down and write. It doesn’t matter if what I write isn’t good enough – it matters only that I write. The more I do so, the more I will improve. I will also ask for critique from those whose opinions I value, sure of their honesty.

If you have a goal you want to achieve, what do you do to pursue it? In a recent training course (which has prompted me to do this), one of the recommendations was ‘affirmations’ – saying out loud to yourself what it is you want to achieve. One colleague put it really simply, “I’ve said it, so I’ll do it”.  I like that.

Hence this rather boring, but important to me, blog. I have said it. I will do it.

Other blog posts related to writing:


Postscript - having looked for a photo to illustrate this post, I think I just might write something about that tree next.

(C) Carolyn Sheppard



Thursday, January 16, 2020

Kiss away time


This is a song I wrote in 2000 - it's about the departing spirit of a loved one:

There's a bell ringing
There's a door banging
There's an open wound on the flesh of a child
There's flies buzzing
In the quiet garden
While mother says the injury is mild

I wish I were young again
How I wish I could take away his pain
And kiss away the tears
and laugh away the years
And play like a child at a game

There's music coming
From an open window
The cat upon the fence
Is half asleep
The child resting
The sun warming
Summer afternoons can be so deep

I wish I were young again
Could chase through the meadow and the corn
The sun warms the garden grass
As I drift back towards when I was born

There's a church bell ringing
And a hymn singing
I lift above the sound upon a prayer
I watch slowly
The sad faces
As summer's last breath takes away my cares

Now I am young again
I live within the memories they keep
Now I am young again
I slip away as quietly as sleep

There's a bell ringing
A door banging
The child now has a child all of his own
I watch smiling
As he bends to touch him
And kiss away the tears now that he's grown
Kiss away the tears

(C) Carolyn Sheppard.

Friday, October 05, 2018

Voyage of discovery


I wrote this as a competition entry.  The theme was 'voyage of discovery' and we had a limited word count.

I thought this was going to be hard to write because it’s a very personal voyage. But it turned out to be easy:

Let me take you back just a few years to when I was a depressed, unhappy wife to a man I loved but who didn’t love me. This poorest version of me was a lost soul at sea who had abandoned her hopes and dreams. I only held on for the kids.  I saw myself as a failure, as the reason for his infidelity, as not being worth anything, not deserving. There is low and there is suicidal, and between these two is where I placed my self-esteem.

Can you picture it? A sad, middle aged woman with haunted eyes.  Even so, there was some part of me that was still strong, still struggled to be my normal self despite the voice in my head that said “You failed. You aren’t worth it. It’s your fault.”  (My mantra was “old, fat and ugly”.) This voice, that we maybe all have, was a voice bequeathed me by my parents, peers friends and my husband. Yes, this destructive self-talk was prompted by those around me. 

So jump to now – see me strong, confident, knowing it’s OK to not be OK, knowing that I may have  failed sometimes but I am not a failure. You see the voice in your head is just a script, handed down page by page throughout your life. It can’t be unwritten or even edited, but it can be recognised for what it is – not the enemy, not something to be cured or fixed or forgotten, but understood and put in context.  No matter what the script says, it is just a voice – a thought. It is not your true identity, just a role you play.

My voyage was painful one, but I was not alone. I spent five days with people who understood my state, and who had turmoil of their own; feeling suicidal, been raped, struggled with drug addiction, abuse...  and yet we all shared equally.  Our voyage together turned us from eight random strangers into a strong crew who believe the best of each other. That is a rare and precious thing.  Each of us told our intimate stories and – we realised - that these shaped how we saw ourselves. We were always surprised that each of us carried such distorted identities in our heads.  Seven friendly voices reflected back the truth they saw, shouted down the script and helped us to find and be our true selves. To love ourselves again.

There’s so much more I could explain, but for now I’ll just say that after years and years of self-dislike I am very happy in my own skin. I also feel happier than I have ever been. It’s never too late to be good to yourself.  You do deserve it. You are worth it. I know I am.

With thanks to Richard Wilkins and Liz Ivory.


Links

Ministry of Inspiration
Royston Arts Festival

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